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    VAYESHEV: A TALE OF TWO DREAMS TO LIVE IS TO DO

    Dreams
    Once Bereishit hits its
    second half, everyone
    starts dreaming.
    Yaakov has two
    dreams. Yosef has two
    dreams. Paraoh’s
    butler and baker are
    dreaming. And Pharaoh himself is dreaming.
    “I have a dream” is how you can sum up the
    second half of Bereishit. Everyone is
    dreaming—about something.
    Yosef is in prison. In prison, he services the
    king’s butler and baker who have also been
    imprisoned. One morning they share with him
    their dreams.
    So the chief cupbearer related his dream to
    Yosef, and he said to him, “In my dream,
    behold, a vine is before me. And on the vine
    are three tendrils, and it seemed to be
    blossoming, and its buds came out; [then] its
    clusters ripened into grapes. And Pharaoh’s
    cup was in my hand, and I took the grapes and
    squeezed them into Pharaoh’s cup, and I
    placed the cup on Pharaoh’s palm.
    Yosef decodes:
    And Yosef said to him, “This is its meaning:
    the three tendrils are three days. In another
    three days, Pharaoh will number you [with the

    other officers], and he will restore you to your
    position, and you will place Pharaoh’s cup
    into his hand, according to [your] previous
    custom, when you were his cupbearer.
    The baker is happy with what he hears and
    presents his dream.
    “Me too! In my dream, behold, there were
    three wicker baskets on my head. And in the
    top most basket were all kinds of Pharaoh’s
    food, a baker’s work; and the birds were
    eating them from the basket atop my head.
    Yosef interprets this dream as follows:
    “This is its meaning: the three baskets
    represent three days… In another three days,
    Pharaoh will remove your head from you and
    hang you on gallows, and the birds will eat
    your flesh off you.”
    Why the Difference?
    There is an obvious difficulty in this story.
    Considering all the similarities in their
    respective dreams [the threes (clusters of
    grapes and the three baskets of baked goods),
    their specialties (wine and pastries), and their
    very self-presence, why did Yosef interpret
    these dreams in radically different and
    opposite ways?
    When the butler dreams of seeing grapes and
    him squeezing the grapes into Pharaoh’s

    goblet and placing it on the king’s hand, Yosef
    sees this in the most literal sense: You will
    once again prepare wine for the king and
    deliver it to him. Why then when the baker
    dreams of holding baskets on his head with
    Pharaoh’s pastries does Yosef not see it in the
    same way: the baker is back on his job,
    preparing bread for Pharaoh and carrying
    them to the king, while the birds are enjoying
    a snack on the way?
    What is more, while the dream of the butler is
    explained literally, the dream of the baker
    must resort to symbolism. The birds’ eating
    the breads in the basket does not mean that
    they will eat the bread, it means they will eat
    his flesh after he is hung by Pharaoh? But
    why? Why not just say that the birds will eat
    from the actual bread the baker will have
    prepared for Pharaoh?
    The Painting
    The famous Dubner Maggid, Rabbi Jacob
    Kranz (1741-1804), the 18th century
    Ukrainian great storyteller and preacher,
    explains it via a story:
    A talented artist could paint a picture with
    such realism that it seemed at times impossible
    to distinguish it from actual life. Once he
    drew a scene that portrayed a man standing in
    an open field with a food-basket on top of his
    head. The painting was so authentic, and
    seemed so real, that actual birds were
    swooping down to try to eat the bread in the
    painting. He presented it to the king –who
    so proud of his new acquisition, offered a
    handsome reward for one who could find
    any fault in the painting.
    Many challengers came but alas, no one was
    successful in finding but a single flaw in the
    incredible painting. It was just perfect.
    Until an old man approached the painting.
    Observing the phenomena of the birds
    trying to eat the bread pictured atop the head
    of the man portrayed in the painting, he
    realized that he had discovered a serious
    problem with its realism. Indeed, the king
    gave him the money.
    The old man said this: if the birds are trying
    to eat the bread atop the man’s head then
    there is something wrong with the man – for
    if the birds would perceive the man as true
    to life, they would be too afraid to approach!
    Birds would never approach a living person
    with a basket on his head. Thus the painting
    is portraying a contradiction which is unreal.
    Either the person in the painting is alive and
    the birds stay away, or the man is dead and
    then the birds enjoy the feast on his head.
    This was Yosef’s tipoff. In the butler’s
    dream, the butler himself served Pharaoh. In
    the baker’s dream, he was passive, while the
    birds swooped down. This must have meant
    that he was not among the living.
    Passive or Active?
    This was further demonstrated to Yosef by
    observing one striking difference between
    the dreams. In the butler’s dream he was

    active. He was actively squeezing grapes and
    serving wine to Pharaoh. He was doing
    something. In the baker’s dream, the baker
    remains completely passive throughout the
    entire dream. Things happen to him; not
    through him. He has three baskets of bread on
    his head. He does not place them there; they
    are just found on him. The birds are eating the
    pastries. He is not doing anything; he is just
    observing what the birds are doing to him.
    This is the difference between life and the
    opposite of life. Thus, each of their dreams
    represented their fate. One of them pictured
    himself as a helpless victim of external
    circumstances. The birds swoop down and
    take at will while he remains a non-entity in
    his own life- circumstance. He is simply
    observing things happening to him. The other
    sees himself as a player and a doer. Yosef
    knew that one dream represents life; the
    other—death.
    Do!
    This distinction exists within each of our
    lives. Yosef’s message speaks to each of us.
    They say there are three types of people: those
    who make things happen; those who watch
    things happen; and those you have to tell that
    something happened.
    We are all imprisoned in one way or another—
    we all must face forces that hold us back and
    hold us down. Each of us has our “shackles,”
    internal emotions or external circumstances,
    that limit us.
    The question is not whether we are in a prison.
    We are all in some form of prison. The bigger
    question is are we doing something about it,
    or are we waiting for things to happen to us.
    The sign of life is action. Do something. Make
    a move. Create some change. Reach out.
    Don’t just go to sleep. Action is the path to
    freedom. Inaction becomes a self-fulfilling
    prophecy.
    “One act is superior to one hundred sighs,” a
    great Rebbe once remarked.
    It is true in our personal and in our collective
    lives. We often hear about the crisis of Jewish
    continuity, or of various maladies that plague
    our communities. We read reports, statics, and
    dire predictions. And we sigh.
    What Yosef is telling us is that the most
    important question is not where we are, but
    what we are doing about it. You are worried
    for the continuity of our people, so DO. Do
    something. Anything. But do. There is a
    Jewish child you know? Sponsor his or her
    Jewish education! There is a depressed
    teenager you know? Call him up and invite
    him for a meal and a hug.
    Enough with the sighs; time for the deeds.
    And when you do, G-d will do the rest.